{"id":44252,"date":"2021-09-21T18:06:43","date_gmt":"2021-09-21T16:06:44","guid":{"rendered":"https:\/\/flamencolive.com\/?post_type=product&p=44252"},"modified":"2025-06-23T12:05:13","modified_gmt":"2025-06-23T10:05:13","slug":"treatise-of-the-flamenco-compas-in-the-flamenco-guitar-vol-1-david-leiva","status":"publish","type":"product","link":"https:\/\/flamencolive.com\/en\/treatise-of-the-flamenco-compas-in-the-flamenco-guitar-vol-1-david-leiva\/","title":{"rendered":"Treatise of the flamenco comp\u00e1s in the Flamenco Guitar – Vol 1 -David Leiva"},"content":{"rendered":"
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\u00a0The\u00a0 Treatise of the flamenco comp\u00e1s in the Flamenco Guitar shows the different ways of foot-tapping to the rhythms of the different flamenco styles. Foot-tapping is essential to keep track while playing solo passages, concert pieces, and especially when playing in a band, it is also indispensable for activating our inner metronome.<\/div>\n
This Treatise of the flamenco comp\u00e1s is primarily addressed to guitarists, it doesn’t, however, exclude no one since the study of the flamenco comp\u00e1s is generic.<\/div>\n<\/div>\n<\/div>\n
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Each style implies different ways of tapping the foot and in this treatise, a variety of ways of marking the rhythm will be shown:<\/p>\n

To the quarter note – To the eighth note -To t he cycle – A modern way –
\n<\/span>The way of the palmas from Jerez – To every second beat – To every third beat<\/p>\n

In addition, the Treatise of the flamenco comp\u00e1s is designed for the initiation of the flamenco guitar. The guitarist will learn the most characteristic rhythmic flamenco styles by learning more than 50 falsetas (melodic guitar interludes).<\/p>\n

This Vol 1 includes: Buler\u00edas, Sole\u00e1 por Buler\u00eds, Seguriya, Fandangos, Tientos
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\nIn the booklet, there\u00a0are guitar scores (notes, chord names, and symbols), the different rhythmic patterns for the foot markings and explications.<\/p>\n

The DVD contains a number of videos that show the guitarist David Leiva interpreting all the styles, his foot marking the rhythm, and a “flamenco clock\u201d with tempo and footmarks.<\/p>\n

7 languages:\u00a0Spanish, English, German, French, Italian, Japanese and Chinese<\/div>\n

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