{"id":66075,"date":"2023-07-25T12:51:22","date_gmt":"2023-07-25T10:51:22","guid":{"rendered":"https:\/\/flamencolive.com\/?post_type=product&p=66075"},"modified":"2023-07-25T13:21:05","modified_gmt":"2023-07-25T11:21:05","slug":"the-abcs-to-play-the-spanish-guitar-vol-2-andres-batista","status":"publish","type":"product","link":"https:\/\/flamencolive.com\/en\/the-abcs-to-play-the-spanish-guitar-vol-2-andres-batista\/","title":{"rendered":"The ABC’s to play the Spanish Guitar -Vol 2 – Andr\u00e9s Batista"},"content":{"rendered":"
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Language: Spanish<\/p>\n

The ABC for playing the \u201cSpanish guitar\u201d (flamenco, classical, and accompaniment) is a work that consists of well-dosed technical parts; theoretical parts, clear and precise, and a varied repertoire, which provides any interested party with a very practical technical-musical training as well as being able to access a solo and accompaniment program that is easy to interpret.<\/p>\n

The clarity and simplicity of the explanations, as well as the writing in Tablature and Music, add another ease to the content of this work, with the significant contribution of a fun and diverse program.
\nThe disciplined study with reflection and being attentive to the advice and observations that are mentioned will help a lot in the task of obtaining the progressive mastery of the instrument that, in addition to facilitating the execution of the desired specialty, will allow solid access to a different one.
\nPossessing basic technical and musical knowledge is essential for any amateur or professional guitarist. This can facilitate a positive work, in a prudential time, to obtain an artistic background and develop the professional activity that each one chooses with total satisfaction.<\/p>\n

All the repertoire themes are offered with the audio version performed by Adolfo Perales.<\/p>\n

Volume 2 content:<\/p>\n

1.- Theory:\u00a0<\/strong><\/p>\n

Intervalos \u2013 Grados \u2013 Formaci\u00f3n de acordes \u2013 Tonalidad \u2013 Grados b\u00e1sicos \u2013 Inversiones \u2013 Un\u00edsonos \u2013 Tonalidad relativa \u2013 Tonos vecinos \u2013 Acordes de paso \u2013 Modulaci\u00f3n \u2013 Acordes de s\u00e9ptima \u2013 Cadencia d\u00f3rica \u2013 Tetarcordo \u2013 Estilos flamencos \u2013 Cadencia \u2013 Signos r\u00edtmicos \u2013 Registro vocal \u2013 Timbre<\/p>\n

2.- Technique \u2013 Exercises and studies:\u00a0<\/strong><\/p>\n

Escalas (Picado) de recorrido \u2013 Dedos cruzados \u2013 Con bajo \u2013 Con cejilla y arpegios \u2013 Ligados \u2013 Pulgar \u2013 Alzap\u00faa \u2013 Acordes mayores en 2\u00aa y 3\u00aa posici\u00f3n, con sus T\u00f3nicas, Subdominantes y Dominantes \u2013 Arpegios \u2013 Paisaje Almeriense -Estudio- Aberturas y cambios r\u00e1pidos \u2013 Tr\u00e9molos \u2013 Rasgueos (diferentes combinaciones)<\/p>\n

3.- Flamenco repertoire\u00a0 (Audio version performed by Adolfo Perales)<\/strong><\/p>\n

Mulatita (Rumba)
\nCuevas grana\u00ednas (Tangos)
\nPlaza del cobre (Buler\u00edas al golpe)
\nBronce y luna (Aires farruque\u00f1os)
\nRecuerdos de Triana (Nana)
\nRomance a C\u00f3rdoba (Sole\u00e1)
\nGitanilla (Aires festeros)<\/p>\n

4.- Classical repertoire (Audio version performed by Adolfo Perales)<\/strong><\/p>\n

Cuatro piezas cortesanas (A. Batista)
\na) Repiqueteando (Gavota) \/ b) Encajes \/ c) Chispeante (Capricho) \/d) Danza del Chap\u00edn
\nAires Joteros
\nHabanera de la \u00f3pera Carmen (G. Bizet)
\nLluvioso (Capricho) (A. Batista)<\/p>\n

5.- Accompaniment (Rhythms and melodies) (Audio version performed by Adolfo Perales)<\/strong><\/p>\n

Enlaces (Melod\u00edas Populares) (A. Batista)
\na) Ol\u00e9 \/ b) Fandangos \/c) Jaleo
\nCon el tr\u00edpoli (Canci\u00f3n andaluza) (A. Batista)
\nModulando (A. Batista)
\nNostalgia Platense (Milonga) (A. Batista)
\nLos c\u00e1nticos (Villancico)
\nJunto al mar (Habanera) (A. Batista)
\nCanela
\nViva Sevilla
\nAndares
\nCampanilleros<\/p>\n

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