Buler\u00edas – Suite for 2 guitars
\nTribute to Encarnaci\u00f3n Mar\u00edn “La Sallago”<\/p>\n
Scorebook in Standard Notation and Tablature<\/p>\n
Author Notes:<\/em>
\nIn the history of flamenco concert guitar, the duo has remained a marginal and episodic genre to this day.
\nFor our suite we adhere to the tradition that dictates that falsetas are sufficient on their own, so they can also be played solo, but we distribute them \u201cequitably\u201d for each piece between the two guitars.
\nWe have also tried to introduce a more polyphonic version than usual in flamenco guitar duets, respecting the turns modals and harmonizations based on traditional chord overlays (open strings, etc.).
\nThe term \u201ccantaoras\u201d refers specifically to female flamenco singers. This is the generic title of this suite because we want to pay tribute to four great artists who left their mark (or who will mark) the history of singing. We have chosen for each one a flamenco style that
\nseems particularly emblematic of her talent: Siguiriya (T\u00eda Anica la Piri\u00f1aca), Alegr\u00eda y Rosa (Laura Vital), Malague\u00f1a y cante abandolao (Carmen Linares) and Buler\u00eda (La Sallago).<\/p>\n","protected":false},"excerpt":{"rendered":"