Method for initiation and advanced levels.
\nAll scores are in Tablature and standard notation.
\nLanguages: Spanish, English and French.
\nIt is accompanied with 98 audio tracks<\/p>\n
this volume 5 is fully dedicated to the\u00a0 BULER\u00cdAS.<\/strong><\/p>\n Section I : The buler\u00edas, Introduction<\/strong> Section II :\u00a0 Basic rules<\/strong> Section III :\u00a0 Falsetas: insertion into the rhythmic structure of the comp\u00e1s and internal <\/strong>phrasing<\/strong> Section IV : Falsetas of the .<\/strong> Section V : Falsetas by Oscar Herrero .<\/strong><\/p>\n Section VI . Buler\u00edas “Solo comp\u00e1s”<\/strong> 160 bpm, 200 bpm & 240 bpm<\/p>\n","protected":false},"excerpt":{"rendered":"
\n1. Jaleo,\u00a0 2. Buler\u00edas, 3. Chufla<\/p>\n
\nA.- Basic rhythmic accents and beating time with the foot
\nB.- \u201cMedio comp\u00e1s\u201d and the 6th beat
\nC.- Rhythmic rasgueados exercises
\nD.- Rasgueados comp\u00e1s and llamadas
\nE.- Rasgueados comp\u00e1s and falsetas
\nF.- Rasgueados comp\u00e1s and the melodic beginning of the falsetas .
\nG.- Endings on beats 6 \u2013 10
\nH.- Remates<\/p>\n
\nA.- Type 3 falsetas
\nB.- Type 1 falsetas
\nC.-Type 2 falsetas
\nD.- Falsetas derived from type 1
\nE.- \u201cMixed\u201d falsetas<\/p>\n
\nA.- Ram\u00f3n Montoya
\nB.- Ni\u00f1o Ricardo
\nC.- Sabicas<\/p>\n