{"id":68823,"date":"2023-11-07T10:30:39","date_gmt":"2023-11-07T09:30:39","guid":{"rendered":"https:\/\/flamencolive.com\/?post_type=product&p=68823"},"modified":"2023-11-07T16:30:39","modified_gmt":"2023-11-07T15:30:39","slug":"flamenco-guitar-technique-fandangos-y-tangos-vol-4-oscar-herrero-claude-worms","status":"publish","type":"product","link":"https:\/\/flamencolive.com\/en\/flamenco-guitar-technique-fandangos-y-tangos-vol-4-oscar-herrero-claude-worms\/","title":{"rendered":"Flamenco Guitar Technique – Fandangos y Tangos (Vol. 4) – Oscar Herrero & Claude Worms"},"content":{"rendered":"

Method for initiation and advanced levels.
\nAll scores are in Tablature and standard notation.
\nLanguages: Spanish, English, and French.
\nIt is accompanied by 80 audio tracks<\/p>\n

This Volume 4 is fully dedicated to the Verdiales<\/strong>, Fandangos de Huelva, Fandangos Naturales, Tangos, Tanguillos and Tientos\u00a0<\/strong><\/p>\n

Introduction<\/strong><\/p>\n

Section I : Los Verdiales<\/strong><\/p>\n

The typical harmonic cycle of the verdiales and fandangos in general
\nThe rythmic comp\u00e1s of the verdiales
\nFalsetas: Ram\u00f3n Montoya, Paco de Luc\u00eda, Gerardo N\u00f1u\u00f1ez<\/p>\n

Secci\u00f3n<\/b> II : Fandangos de Huelva and Fandangos “naturales”<\/strong><\/p>\n

Fandangos de Huelva<\/em>
\n<\/strong> The harmonic cycle and rhytmic comp\u00e1s
\nBasic comp\u00e1s
\nPalmas exercises
\nRhythm exercises in rasgueados
\nCante acopaniment: the medio comp\u00e1s and the harmonic cycle of the comp\u00e1s<\/p>\n

Fandango naturales<\/strong><\/em>
\nCierres and remates
\nStructure and rhythm of the falsetas<\/p>\n

Falsetas of the master tocaores<\/strong>
\n<\/em>Ram\u00f3n Montoya
\nSabicas<\/p>\n

8 Falsetas by Oscar Herrero<\/em><\/strong><\/p>\n

Secci\u00f3n<\/b> III : Tanguillos, Tientos and Tangos<\/strong><\/p>\n

Tanguillos
\nTangos
\nFalsetas
\nThe difference today between Tientos and Tangos<\/p>\n

Basic Rules<\/em><\/strong>
\nBeats and rhythmic accents
\nPosition of the chords in the rhythmic comp\u00e1s
\nPalmas exercises
\nComp\u00e1s with rasgueados
\nThe structure of the falsetas
\nPlacing of the falsetas in the comp\u00e1s framework
\nRemates<\/p>\n

Falsetas “Clich\u00e9”<\/strong><\/em>
\nFalsetas in a fixed A7 position
\nLlamadas with a half-barr\u00e9 on the third fret
\nLlamadas over the Andalusian cadence
\nFalsetas en picado<\/p>\n

8 Falsetas by Oscar Herrero<\/em><\/strong><\/p>\n

Secci\u00f3n IV: Flamenco metronome<\/strong><\/p>\n

Basic rhythm for Fandangos 160 bpm
\nBasic rhythm for Fandangos 120 bpm
\nBasic rhythm for Tango 160 bpm
\nBasic rhythm for Tango 130 bpm<\/p>\n

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