{"id":71902,"date":"2024-06-04T17:56:07","date_gmt":"2024-06-04T15:56:08","guid":{"rendered":"https:\/\/flamencolive.com\/?post_type=product&p=71902"},"modified":"2024-09-17T19:17:29","modified_gmt":"2024-09-17T17:17:29","slug":"play-with-camaron-collection-david-leiva","status":"publish","type":"product","link":"https:\/\/flamencolive.com\/en\/play-with-camaron-collection-david-leiva\/","title":{"rendered":"“Play with Camar\u00f3n” Collection – David Leiva"},"content":{"rendered":"

Transcriptions of Camar\u00f3n<\/strong> themes made by David Leiva<\/strong>, showing the melodic lines of the singing \u201ccante\u201d, the accompaniment, and falsetas of the guitar on a music score (notation and tablature)<\/p>\n

Volando voy<\/strong>\u00a0(Rumba)
\nUna estrella chiquita\u00a0<\/strong>(Buler\u00edas)
\nY t\u00fa no me respond\u00edas<\/strong>\u00a0(Sole\u00e1)<\/p>\n

La leyenda del tiempo<\/strong>\u00a0(Buler\u00edas)
\nQue un toro bravo en su muerte<\/strong>\u00a0(Tientos)
\nLlorando me lo ped\u00eda<\/strong>\u00a0(Fandangos de Huelva)<\/p>\n

Viejo mundo<\/strong>\u00a0(Buler\u00edas)
\nSi acaso muero<\/strong>\u00a0(Siguiriyas)
\nNana del caballo grande<\/strong><\/p>\n

La primavera<\/strong>\u00a0(Rumba)
\nDetr\u00e1s del tuyo se va<\/strong>\u00a0(Tangos)
\nAnda y no presumas m\u00e1s<\/strong>\u00a0(Buler\u00edas por sole\u00e1)<\/p>\n

Camina y dime<\/strong> (Tarantos)
\nBarrio de Santa Mar\u00eda<\/strong> (Alegr\u00edas)
\nSin motivos ni raz\u00f3n<\/strong> (Fandangos)<\/p>\n

The guitar voice is written in notation and tablature, for the accompaniment and falsetas. In some themes, the second voice of the guitar and electric bass is transcribed.\u00a0Every chord of the accompaniment is indicated, so that it can be used by another instrumentalist or to create our own accompaniment.<\/p>\n

The guitars that accompanied Camar\u00f3n are Paco de Luc\u00eda\u00a0 and Ram\u00f3n de Algeciras<\/p>\n

Given the impossibility of being able to write each and every one of the characteristic melismas found in the melodies, since the quarter tones cannot be noted, it has been decided to indicate the tones and semitones.<\/p>\n

Capturing Camar\u00f3n’s genius on a pentagram is impossible; these transcriptions are a musical orientation made from the utmost respect and admiration for such an important figure in the world of flamenco.<\/p>\n

3 audio tracks are given<\/strong>:<\/p>\n

– Voice and accompaniment.
\n– Accompaniment only, no voice.
\n– Voice, with accompaniment at a low volume that will guide you to accompany Camar\u00f3n<\/p>\n","protected":false},"excerpt":{"rendered":"

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