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Soleá por Bulerías- Progressive studies for Flamenco Guitar – Mehdi Mohagheghi

 20,0

  • USD: 23.5$

  • Video & Score Book
  • Progressive SOLEÁ POR BULERÍAS studies for Flamenco Guitar.
  • Spanish and English
  • Product in STREAMING. (video and scorebook)

Multiple audio options for practicing.

Description

Language: Spanish, English

Soleá por Bulerías studies for flamenco guitar, suitable for all levels. Measures and falsetas (variations) are gradually studied, reaching the right level to play falsetas of famous flamenco guitarists.

Once you dominate all the studies, you will be able to play your own pieces mixing different falsetas studied in this DVD.

/// Score sample ///

Video / Book Content

Studies
1: The first 6 beats – 2: Beats 6-12 – 3: Beats 6-12 using arpegios – 4: One complete “compás” – 5: Another complete “compás” – 6: Another complete “compás” –  7: A complete “compás” using arpegios – 8: Another complete “compás” using arpegios –  9: A complete “compás” using double arpegios – 10: Another example using double arpegios – 11: A complete “compás” using Rasgueos – 12: An example with two complete “compás” using arpegios – 13: An example of starting with beat 12 – 14: Another example of starting beat 12 – 15: An example with two complete “compás” – 16: Another example with two complete “compás” – 17: An example using double arpegios and ligados – 18: Another example – 19: Another example – 20: An example with two complete “compás” , the second “compás” being the answer to the first “compás”(question)- 21: An example that ends with Alzapua – 22: A complete “compás”-  23: Another example – 24: An example with two complete “compás” using arpegios – 25: A complete “compás” with syncopation-  26: Another example with syncopation – 27: An example with extensive ligados – 28: An example with extensive ligados – 29: An example with two complete “compás” using extensive ligados and double arpegios – 30: An example with two complete “compás” using p/i and double arpegios – 31: An example using Alzapua – 32: A more complicated example

Falsetas:
Falseta 1: A traditional falseta using ligados
Falseta 2: A modern falseta which can be used as an introduction , Gerardo Núñez
Falseta 3: A falseta with syncopation by Mehdi Mohagheghi
Falseta 4: A modern falseta using Alzapua . Enrique de Melchor
Falseta 5: A modern falseta , Tomatito
Falseta 6: A falseta using Alzapua , Oscar Herrero
Falseta 7: A falseta with a complicated rhythm , Mehdi Mohagheghi

Ending :
Ending 1: A rhythmic “compás” to end Solea por Bulerías

 



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