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Soleá – Progressive studies for Flamenco Guitar – Mehdi Mohagheghi

 20,0

  • USD: 23.5$

  • Video & Score Book
  • Progressive SOLEÁ studies for Flamenco Guitar.
  • Spanish and English
  • Product in STREAMING

Multiple audio options for practicing.

Description

Language: Spanish, English

Soleá studies for flamenco guitar, suitable for all levels. Measures and falsetas (variations) are gradually studied, reaching the right level to play falsetas of famous flamenco guitarists.

Once you dominate all the studies, you will be able to play your own pieces mixing different falsetas studied in this DVD.

/// Score sample ///

Video / Book Content

Basic “LLamadas”
1: The first 6 beats – 2: Beats 6-12 – 3: Beats 1-12 ( one complete “compás”) – 4: A complete “compás” using triplet rasgueos –  5: A complete “compás” using 4-stroke rasgueos – 6: A complete “compás” using 5-stroke rasgueos – 7: A complete “compás” using Arpegios
Remates
8: Beats 10-12 ( called Remate) is the ending phrase of each “compás” of solea – 9: Another variation of Remate – 10: Another variation of Remate using Ligados-  11: Another variation of Remate using Ligados – 12: Another variation of Remate using Ligados – 13: Another variation of Remate
Advanced “Llamadas”
14: A complete “compás” using a remate for beats 10-12 – 15: Another complete “compás” using a remate for beats 10-12 – 16: A complete “compás” using Arpegios and Ligados – 17: Another example – 18: Another example with a new remate – 19: Another example – 20: Another example – 21: Another example with a more complicated pattern for beats 7-9 – 22: Another example –  23: Another example – 24: An example with two complete “compás” – 25: A complete “compás” using Picado – 26: Another example using p/i – 27: An example using Rasgueos, with some syncopation – 28: A complete “compás” using Alzapua –  29: Another example using more complicated Alzapua

Falsetas
Falseta 1: This falseta can be used as an introduction, Paco Serrano
Falseta 2: A traditional flaseta, also useful for improving the left hand technique
Falseta 3: A modern falseta useful for practicing Arpegios, Vicente Amigo
Falseta 4: A traditional falseta using Arpegio/ Picado
Falseta 5: A traditional falseta
Falseta 6: A falseta which can be used as an Introduction, Paco Peña
Falseta 7: A tremolo falseta, Paco Peña
Falseta 8: A modern Falseta, Tomatito
Falseta 9: A modern Falseta, Paco de Lucia
Falseta 10: A modern falseta, Mehdi Mohagheghi
Flaseta 11: An arpegio falseta, Moraito
Falseta 12: A modern falseta, Mehdi Mohagheghi
Falseta 13: This falseta can be used to end Solea, Tomatito
Falseta 14: Ending, Mehdi Mohagheghi

 



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