The album that marks the new path of flamenco formation that we know today. It´s one of the best flamenco concert guitar albums, a historical record, where Paco de Lucía would define a new sound for flamenco music.
The eight themes of this album are a sublime creation, representing a before and after for flamenco, reaching unimaginable heights of composition and interpretation never seen before.
The eight transcriptions of Solo quiero caminar are made for guitar, and some of them also have the second voice of the guitar, flute, sax, and bass, which makes it a very interesting book for all those instruments.
The transcriptions are shown in note and tablature with fingerings of both hands and dynamics. and David Leiva presents the book of the grand master’s interpretation is as important as its composition.
Sólo quiero caminar (Tangos) – transcripcions for 1 guitar, bass, flute, can’t
La tumbona (Bulerías) – transcripcions for 1 guitar.
Convite (Rumbas) – transcripcions for 2 guitars.
Montiño (Fandangos de Huelva) – transcripcions for 1 guitar.
Chanela (Rumba) – transcripcions for 3 guitars and bass
Monasterio de Sal (Colombianas) – transcripcions for 1 guitar and bass
Piñonate (Bulerías) – transcripcions for 1 guitar.
Palenque (Rumba) – transcripcions for 2 guitars, bass, flute and sax.