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The Academic Treatise on Flamenco Guitar Vol 2 – Manuel Granados

 25,0

  • USD: 29.4$

  • Score and Theory Book & Audio
  • For maestros, teachers, students, flamenco aficionados, and guitarists of all musical styles.
  • Languages: Spanish, English, and Japanese
  • Product in STREAMING.  

Volume 2 of the collection organized into five volumes, is aimed at those students about to begin their studies, and to all those who may have learned without real coherency and who may have some faults to correct. Each book is divided into three sections: Technique, Styles, and Theory of flamenco music.

Description

THE ACADEMIC TREATISE ON FLAMENCO GUITAR by the maestro Manuel Granados represents didactic material of enormous interest for maestros, students, flamenco aficionados, and guitarists of all musical styles.

Organized into five volumes, is aimed at those students about to begin their studies, and to all those who may have learned without real coherency and who may have some faults to correct.

Each book is divided into three sections: Technique, Styles, and Theory of flamenco music, all of them with the audio so that the guitarist can practice without the need of help from a teacher.

Spanish, English, and Japanese
Music and Tablature

Volume 2 contents:

I. TECHNIQUE

1.FLAMENCO RASGUEO: Rasgueo exercises, Rasgueo studies
2. THUMB: Thumb exercises, Thumb studies
3. ALZAPUA: Alzapua exercises, Alzapua studies
4. ARPEGIOS: Arpeggio exercises, Arpeggio studies
5. FLAMENCO TREMOLO: Tremolo studies
6. SIMULTANEOUS NOTES OR Chord exercises
7. PICADOS: Picado exercises, Picado studies
8. SLURS: Slur exercises, Slur studies
9. BARRE: Full barré & half-barre exercises, Full barré & half-barre studies

II.STYLES

SOLEÁ IN A: Compas 1 to 6
ALEGRÍAS: Compas 1 to 6
BULERÍAS: Compas 1 to 6
FANDANGO RÍTMICO: Compas 1 to 6
FARRUCA: Compas 1 to 6
TARANTO: Compas 1 to 6
TANGOS: Compas 1 to 6
SERRANA: Compas 1 to 6
GUAJIRA: Compas 1 to 6
COLOMBIANA: Compas 1 to 6
PETENERA: Compas 1 to 6

III. FLAMENCO MUSIC THEORY

CHORD FUNCTIONS IN THE FLAMENCO MODE
SEVENTH AND NINTH CHORD FORMATION
THE USE OF THE 7TH AND 9TH IN THE FLAMENCO MODE



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