Flamenco Guitar Technique – Soleá y Siguiriya (Vol. 3) – Oscar Herrero & Claude Worms

Description

Method for initiation and advanced levels.
All scores are in Tablature and standard notation.
Languages: Spanish, English, and French.
It is accompanied by 63 audio tracks

This Volume 3 is fully dedicated to the  SOLEÁ and SIGUIRIYA.

Introduction

Section I: La Soleá

Basic Rules
Modes and harmony
Beats and rhythmic accents
Compás with rasgueados
Endings on the E chord
Llamadas
Remates

“Cliché” falsetas
Introductions
The chord sequence Am/C/F/E
Clichés in the Andalusian cadence
Clichés using the F swivel
Clichés using the F or F7M position, using the top two strings
Clichés over a pedal F, with the F chord in 1st position
Clichés over the E chord, barrñe VII
Clichés on the notes that form the chord of Et 9b

Falsetas of the master tocaores
Ramón Montoya
Niño Ricardo
Sabicas

8 Falsetas by Oscar Herrero

Section II: La Siguiriya

Basic Rules
Modes and harmony
Beats and rhythmic accents
Compás with rasgueados
The structure of the falsetas
Endings on the A chord
Llamadas
Remates

“Cliché” falsetas
Introductions
The Bb swivel position
Clichés using a half-barré at the third fret

Falsetas of the master tocaores
Ramón Montoya
Niño Ricardo
Sabicas

8 Falsetas by Oscar Herrero

Section III

Soleá “Solo compás” 90 bpm, 80 bpm
Seguiriya “Solo compás” 160 bpm, 140 bpm