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Tratado Académico de la Guitarra Flamenca Vol 4 - Manuel Granados
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The Academic Treatise on Flamenco Guitar Vol 4 – Manuel Granados

€ 25,0

  • USD: 27,2$

  • Score and Theory Book & Audio
  • For maestros, teachers, students, flamenco aficionados, and guitarists of all musical styles.
  • Languages: Spanish, English, and Japanese
  • Product in STREAMING.  

Volume 4 of the collection organized into five volumes, is aimed at those students about to begin their studies, and to all those who may have learned without real coherency and who may have some faults to correct. Each book is divided into three sections: Technique, Styles, and Theory of flamenco music.

SKU: XMG_GRANADOST04 Categories: , , , , , , , , , ,

Description

THE ACADEMIC TREATISE ON FLAMENCO GUITAR by the maestro Manuel Granados represents didactic material of enormous interest for maestros, students, flamenco aficionados, and guitarists of all musical styles.

Organized into five volumes, is aimed at those students about to begin their studies, and to all those who may have learned without real coherency and who may have some faults to correct.

Each book is divided into three sections: Technique, Styles, and Theory of flamenco music, all of them with the audio so that the guitarist can practice without the need of help from a teacher.

Spanish, English, and Japanese
Music and Tablature

Volume 4 contents:

I. TECHNIQUE

1. LONG ARPEGGIOS COVERING 6 STRINGS. Long arpeggio studies
2. FLAMENCO TREMOLO. Flamenco tremolo studies
3. THE THUMB. Studies
4. ALZAPÚA. Alzapúa studies
5. FLAMENCO SCALES (PICADOS). Exercise
6. ARPEGGIO-PICADO Patterns 1 – 9 Arpeggio-scales studie
7. CHORDS Study

II.STYLES

RONDEÑA Characteristic tuning Variations 1 & 2
MINERA Variations 1 & 2
FARRUCA Variations 1 – 4
SOLEÁ IN A Variations 1 – 4
SERRANA Variations 1- 3

III. FLAMENCO MUSIC THEORY

THE SUBTONIC IN THE FLAMENCO MODE, AND THE TRANSITORY SUBTONIC.
THE CADENCE OF THE FLAMENCO MODE.
REINFORCING CHORD FUNCTION IN FLAMENCO HARMONY.
USE OF THE SUBDOMINANT OF A TRANSITORY TONE IN THE PROGRESSION.
THE E NOTE AS A PEDAL IN HARMONIC PROGRESSION.
R RELATIONSHIP AND FORMATION OF CHARACTERISTIC FLAMENCO MODES.

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